Brand
Guidelines

Overview

Everything we do is guided by our vision and mission statements. When we find ourselves stalled, we question ourselves, "What is the final aim here?" We practice user-centric design, and we believe we will always succeed as long as we are solving our customer’s pain points.

The goal of this brand style guide is to ensure that our audience receives consistent visuals and messaging. It specifies the Cut's brand elements and how they should be used in marketing materials. The purpose is to give you a solid foundation for your work, but it won’t solve every design question you’ll encounter. Stay creative and feel free to think out of the box when necessary.

Mission statement

To inspire confidence and to empower people to be the best version of themselves.

Vision statement

Barbershops are epicenters of culture. We're building the worlds largest barbershop platform, living at the intersection of all things style and grooming.

Wordmark Logo

This section covers the details of our wordmark. You can find a downloadable version under Resources.

theCut logo

What's in a name?

Everything, to sum it up. Your name is how you identify yourself. What you build your identity around. When someone who knows you hears your name, they often immediately visualize their experiences with you and think about how they will engage with you next.The same holds true for a brand.

Our name is theCut. It’s pronounced, “The Cut.” Our name is written as one word, but pronounced as two.

theCut
Do write our company name lowercase except for the letter uppercase “C”.
THECUT
Do display our logo in all caps if used with a header or title that is presented in all caps.

theCut:

  • The first three letters in our name are lowercase.
  • The fourth letter is uppercase.
  • The last two are lower case.

Our cursive logo is available via Resources. But when writing about us, our name should be written as described above.

The one exception to this rule when our name is used in a title or in a paragraph header where the text is in all caps. In this instance our name should be “THECUT”.

Color

Our logo is displayed in two colors: black and white.
Logo should never be gold.

theCut logo white
Do display this logo white on dark background.
theCut logo black
Do display this logo black on light background.
theCut logo gold
Don't display this logo in gold.
theCut logo gold
Don't display this logo in gold.

Exclusion zone

To ensure the logo is clearly visible, surround it with space free of elements that might cause confusion. The logo’s exclusion zone is equal to the height of the logo.

Exclusion zone

Partnerships

Follow the exclusion zone guidelines when locking theCut logo with affiliated logos. That means you should separate partner logos by a distance greater than or equal to the height of theCut logo.

Partnerships
Don’t make the affiliated logo larger than the height of theCut wordmark.
Partnerships
Do make the affiliated logo and theCut’s wordmark the same height.
Partnerships
Don’t align the overall affiliated logo to the height of theCut wordmark if it has an extension.
Partnerships
Do make the affiliated logo and theCut’s wordmark the same height.
Partnerships
Don’t align the overall affiliated logo to the height of theCut wordmark if the affiliated logo is a vertical logo.
Partnerships
Do make the affiliated logo 65% taller then theCut’s wordmark height (i.e. 74px height & 122px height)

Stamped Logo

This section covers the details of our STAMPED wordmark and brandmark. You can find a downloadable version under Resources.

Stamped
Do display this logo white on dark background.
Stamped
Do display this logo black on light background.

Color

Our logo is displayed in two colors: white with gold blade, or black with gold blade.

Stamped
Do display this logo white with gold blade on dark background.
Stamped
Don’t display this logo as a single color on dark background.
Stamped
Do display this logo black with gold blade on light background. Gold is #BFAB73 on light background.
Stamped
Don’t display this logo as a single color on light background.

Exclusion zone

To ensure the logo is clearly visible, surround it with space free of elements that might cause confusion. The logo’s exclusion zone is equal to the height of the logo.

Exclusion zone

Partnerships

Follow the exclusion zone guidelines when locking the STAMPED wordmark with affiliated logos. That means you should separate partner logos by a distance greater than or equal to the height of theCut logo.

Partnerships
Don’t make the affiliated logo larger than the height of STAMPED wordmark.
Partnerships
Do make the affiliated logo and the STAMPED wordmark the same height.
Partnerships
Don’t align the overall affiliated logo to the height of the STAMPED wordmark if it has an extension.
Partnerships
Do make the affiliated logo and the STAMPED wordmark the same height.

Brand color palettes

We’ve organized our main color palette into three categories primary, nuetrals, and gradients. This could expand over time.

Primary tint
Primary
HEX DDC686

Our primary tint color / accent color is gold. We chose gold because it represents what we want for barbers: success, achievement and triumph.

It should be used sparingly, it’s used as our tint color within our app to draw your eye. In marketing materials it’s used as the “Cherry-on-top” to give content theCut feel.

Neutrals
Black
HEX 000000
Gray-1
HEX 111111
Gray-2
HEX 181818
GRAY-3
HEX 222222
Gray-4
HEX 333333
Gray-5
HEX 515151
gray-6
HEX 808080
Gray-7
HEX D3D3D3
White
HEX FFFFFF
Gradients
Featured
HEX 84F7FF-07C400
Trending
HEX FC7437-FF0467
New
HEX E9649B-2B0096
Fashion
HEX F1D9FF-6B7EFF
Music
HEX 00FFDE-FF51F9
Sports
HEX F3F625-A4FF8A
Money
HEX 13B5BB-EFFF6D
Wellness
HEX DDC1FF-FF5B9D
Culture
HEX FDA76F-FFFE000
News
HEX FF5B9D-FFC76B
Barbering
HEX FF5A54-7EB7FF
States
Success
HEX 00B894
Error
HEX E17055

Typography

Montserrat

When looking for fonts, we wanted to find a San Serif font that was clean and simple but could bring a significant impact both in marketing materials and inside of the app. This font was created by Julieta Ulanovsky and inspired by the Montserrat neighborhood of Buenos Aires. Julieta created Montserrat font to help preserve Buenos Aire's history as the city continued to contemporize. We wanted to capture that same impact as we modernize the barber industry.

Heading

Use all caps and bold weight.

Bold

ABCDEFGHIJKLMNOPQRSTUVWXYZ

Body

Use sentence case and regular/light weight.

Regular

AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz

Light

AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz

Patterns

Camo pattern

Our pattern aims to create strong brand recognition, bring depth to brand identity, and create a memorable brand experience. To focus on the foreground elements, the contrast for the camo pattern should never exceed 1.18:1.

Camo pattern
Do use low contrast. Contrast should not exceed 1.18:1
Camo pattern
Do use low contrast. Contrast should not exceed 1.18:1
Camo pattern
Do use low contrast. Contrast should not exceed 1.18:1
Camo pattern
Don’t use high contrast.
Camo pattern
Don’t use high contrast.
Camo pattern
Don’t use high contrast.

Variations

Feel free to magnify the grafitti to create a more abstract background. You can also show the edge of the grafitti if you don’t want the pattern to fill the entire area

Pattern variations
Do feel free to magnify and crop.
Pattern variations
Do feel free to magnify and crop.
Pattern variations
Do feel free to show only edge of grafitti.

Examples

Feel free to use dark or light camo for backgrounds. You can also combine both light and dark camo pattern for a cool contrast effect.

Patterns examples
Do feel free to magnify and crop.
Patterns examples
Do feel free to magnify and crop.
Patterns examples
Do feel free to show only edge of graphic.

Distressed pattern

This is another pattern that we leverage with the camo pattern.

Distressed pattern
Do use this pattern variation in tandem with camo pattern.

Examples

Feel free to use dark or light camo for backgrounds. You can also combine both light and dark camo pattern for a cool contrast effect.

Patterns examples
Do feel free to magnify and crop.
Patterns examples
Do feel free to magnify and crop.
Patterns examples
Do feel free to show only edge of graphic.

Photography

Composition and context

The people and objects we include in our photos provide our audience with all the context it needs to understand our brand. For us, that's the urban barbershop community: fresh fades, tattoos, streetwear, dope sneakers, hip hop, and street art.

Photography composition and context
Do catch a composition that leaves you feelin’ that dope vibe.
Photography composition and context
Do show off tattoos and fresh fades.
Photography composition and context
Do feel free to catch the whole shop in the composition.
Photography composition and context
Do capture a badass aesthetic, hair braids and street style.
Photography composition and context
Do use low contrast. Contrast should not exceed 1.18:1
Photography composition and context
Do use lighting to create drama and use pops of color to draw attention.
Photography composition and context
Don’t use photography that is pixelated.
Photography composition and context
Don’t use photography that feels stock or has a cheesy vibe.
Photography composition and context
Don’t use photography that looks overly cinematic or looks photoshopped.

Enviroment

It’s important to establish consistency with location and lighting. Preferred locations are inside a barbershop or in a urban enviroment and lighting should be leveraged to create drama.

Photography enviroment
Do take photos inside a barbershop and leverage depth of field (Bokeh).
Photography enviroment
Do show urban culture: city buildings and structures and streetwear.
Photography enviroment
Do use lighting and showdows to create drama.
Photography enviroment
Do juxtapose street art and streetwear.
Photography enviroment
Do use shadows to create drama and focus.
Photography enviroment
Do feel free to use rembrandt lighting techniques to create stark color contrast.
Photography enviroment
Do leverage good lighting, color saturation, and bokeh.
Photography enviroment
Do capture techniques used in urban barbershops such as white eye liner.
Photography enviroment
Do capture techniques used in urban barbershops such as graphics.
Photography enviroment
Don’t use photography with a
franchise or stock photography vibe.
Photography enviroment
Don’t use photography that showcase a “Hipster” enviroment.
Photography enviroment
Don’t use photography that uses harsh shadows and creates dull color.

Color palette

The people and objects we include in our photos provide our audience with all the context it needs to understand our brand. For us, that's the urban barbershop community: fresh fades, tattoos, streetwear, dope sneakers, hip hop, and street art.

Photography color palette
Do take photos inside a barbershop and leverage depth of field (Bokeh).
Photography color palette
Do feel free to use black and gold to match our brand colors.
Photography color palette
Do feel free to use black and white imagery for a dramatic effect.
Photography color palette
Don’t use photography with washed out colors with no brilliance.
Photography color palette
Don’t use photography with overexposed lighting.
Photography color palette
Don’t use a washed out look when using black and white grading. Keep colors saturated.

Resources

theCut logo white
theCut logo black
Download logo assets

This download includes SVG, PNG and EPS files.

Stamped
Stamped
Download logo assets

This download includes SVG, PNG and EPS files.

Writing
Guidelines

Who we are

theCut is a holistic tool that serves the dual role of assisting in organizing and automating individual barber operations, removing the guesswork out of finding a new barber, and making the process of getting a haircut seamless and painless.

theCut is a technology company, but we’re a lifestyle brand. Disagree? Think about it. Everything is better with a fresh cut, the way you walk, the way you talk, how you feel. With a fresh cut no one can tell you anything. You run faster, play harder, and stand taller. With a fresh cut, you have that much more confidence to land the job or win the girl, guy, or other, depending on your preference. Anthony “Spice” Adams has become famous beyond the internet, making videos. One of his first was a series of videos about his life before a haircut — sad, lonely and depressed — then after, bold, brash, ready to conquer all.

Everything is better with a fresh cut, and theCut is the solution that sits on your phone, always within reach that helps you live life better.

Our audiences

We have two distinct audiences as a business tool and a beauty and grooming technology solution. Barbers, Stylists, Beauty & Grooming Professionals. This audience uses our product as a business solution to streamline operations and increase financial gain.

They fall into four distinct personas:

The brand new new

From all walks of life. Decided to pick up some clippers and see what it do. The New G has some skills but low to moderate business acumen. She/he needs all the help they can get to create a schedule, manage payments, learn about the dos and don’ts of the industry. This barber is open and willing to experiment with different apps.

The OG seasoned

Don’t even try to win an argument. This man is old enough to be your daddy or your uncle, momma and auntie. You know the type – full of energy and has an answer for everything. Their razors, shears and clippers have put food on the table and put kids through school. They may even be a shop owner. If time stood still they’d do just fine. But it isn’t. They’re lacking in tech solutions to streamline their operations. This barber is considering entering the 21st century but needs to be served content that directly speaks to a problem they are having. They will require a bit more hand-holding and won’t be swayed by flashy graphics and ads.

The new School

A barber who is 2-7 years in the game. Tech-savvy, up on the latest trends, a hard worker with a modest, earned and loyal following who grinds day in and day out to make their personal brand the customers they represent look fresh, sharp and clean. This barber has skin in the game, is a great sixth man off the bench and is only one or two tweaks, classes, features, or opportunities from becoming a Boss Barber.

The boss barber

Potentially, the hardest sell. They are tech-savvy, built their business from the ground up, and have pioneered or cornered a niche in grooming and they have the following to prove it. The first and maybe only request they will make is “Tell me why should I switch over to you?” This person has their operations on lock and appreciates 5-star customer service and account management. It’s what they come to expect because they give it.

What these personas have in common is that the Barber is on the Hero’s Journey. The hero’s journey is described as a story or series of stories that involves a hero who goes on an adventure, is victorious in a decisive crisis, and comes home changed or transformed. For our purposes here at theCut barbers are our heroes. The challenges they face every day from booking, to mastering their craft, to becoming and remaining financially and/or commercially successful is the journey. We are rooting for them. We champion them. Our goal is to help them become successful (victorious) in the craft as well as financially.

The Hero's Journey

Customers and clientes

As stated earlier, here at theCut we have two distinct audiences that comprise our user base. Customers/clients are the people seeking haircuts, for whatever reason — travel, seeking a new barber, not wanting to wait at the shop, not wanting to pay cash, etc. They are the barbers’ consumers.

The Client, no different than a patient seeking medical care, wants to be made better and or whole after going to his/her barber.
Deion Sanders said it best:

Deion Sanders

The above applies to all walks of life. Our goal here at theCut is to position the brand as an essential key to looking good. After all, Everything is Better with a Fresh Cut.

The words we use

The words we use

We use content here at theCut to surprise and delight our audiences. Our brand is young and sophisticated, in touch with the times while fully aware of the proud history of barbering that makes what we do possible. We are an urban brand and we do urban things, but we’re inclusive of all, no matter their color, creed, or socioeconomic status.

The words we don't use

Barbering isn’t a “hustle” or a “grind”. We aren’t taking barbering to the “next level”. We are modernizing the barbershop experience. As such, we stay away from all modern-day colloquialisms and slang that belong to the “hustle hard” lexicon.

Voice

Authentic

We are who we say we are.

We’re the real deal. We’re true to our mission and speak from a place of genuine care for the communities we serve. We have no alternate agendas or hidden motives. We mean what we say, and say what we mean

Counterfeit
Authentic

Example:

Whether you chose the barber life, or the barber life chose you - we’re here to help you build a legacy.

Empowering

We help others see their power.

We recognize that it’s not enough to provide an excellent app. We want to help barbers and barbershop owners meet the best version of themselves. That starts with tools, resources and knowledge to help them to identify and acknowledge their unique power.

Enabling
Empowering
Preachy

Example:

There’s no doubt, you got skills and now it’s time to build a booming business to prove it.

Nostalgic

We respect where it all started.

We celebrate the decorated history of barbering and the undeniable impact of the barbershop in the communities we serve. The barbershop has always been a safe space for men of color to openly converse, heal, love and laugh. It’s more than just a haircut- it’s culture.

Immobile
Nostalgic
Futuristic

Example:

Cities change, trends change, people change too. One thing that will always be the same? The undeniable vibes of a barbershop.

Relatable

We see you ‘cause we are you.

We’re building a connection between theCut and our users. It’s up to us to gain their trust by making them feel seen and heard in what we say and how we say it. We are a reflection of our target audience. We should always speak like it.

Disconnected
Relatable
Approval-seeking

Example:

Bruh, your DM’s are in shambles— we’ve all been there. Organize your clients and manage your schedule using theCut.

Tone

If our voice is our personality, our tone is our mood. It changes depending on what we’re saying and who we’re saying it to.

Think of our traits (sincere, inspirational, guiding and empowering) as ingredients you can use to craft any piece of writing. Sometimes you might need more of one and less of another.

When we’re making a first impression (take paid ads as an example), aspirational and empowering messages will resonate most. When our audience is considering our product (maybe by visiting our site or reading user tes­ti­mo­ni­als), we need to focus on proving our expertise and trust­wor­thi­ness. Messaging around product announce­ments or big company news will always need more energy than ​“business” stuff (like account changes), where our priority will be informing the user in a way that gets them excited to be “a part of the family/community.”

Ap Style

We (mostly) follow AP Style for all our written content. Here are a few important rules to note:

AP Style doesn’t use the Oxford comma, so neither do we. This is such a common question, it has its own section.State abbre­vi­a­tions differ from postal service abbre­vi­a­tions. See how to format addresses correctly here.Write out numbers one through nine, and use numerals for 10 or higher. Refer to this section for more info.Dates should be formatted ​“day, month, year” if the audience is inter­na­tion­al, or ​“month, day, year” if you’ll only have U.S. readers. Either way, don’t include ​“st”, ​“nd”, ​“rd” or ​“th”. Visit this page for more date details.
We break with AP Style in a few notable areas:

Use ​“okay” instead of ​“OK.” (And please never use ​“ok” or ​“Ok.”). When writing a title or headline, follow the Chicago Manual of Style instead of AP. The key differences are outlined in our cap­i­tal­iza­tion section. More questions? Just Google your conundrum with ​“AP Style,” and the internet will provide. If not, get in touch with your friendly neigh­bor­hood content folks via #writing-at-thecut and we’ll do our best to sort it out.

Capitilization

Capitalization is a dangerous power to wield. If you get too liberal with it, you end up with a dizzying array of mismatched letter sizes before you can blink an eye.

“Title Case” vs. ​“Sentence Case”

When we say ​“title case,” we’re referring to content where nearly all of the words start with a capital letter. Title case applies mostly to copy in headlines and buttons.

“Sentence case” is when you capitalize content like it’s a sentence — only the first letter of the first word is capitalized, along with any proper nouns.

Headlines, Subheads and Body Copy

The key takeaways:

  • Headlines should be ALL CAPS with no end punctuation.
  • Subheads and body copy should always be sentence case.

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Don’t capatlize subheads or body copy.

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Do headers in ALL CAPS and subhead and bodyin sentence case.

Abbreviations

States

When a state name appears in the body of a text, spell it out. When the name of a city and state are used together, the name of the state should be abbreviated (except for Alaska, Hawaii, Idaho, Iowa, Maine, Ohio, Texas and Utah).

There are two ways to abbreviate a state name: the postal service abbre­vi­a­tion (two capital letters with no punctuation), and what AP Style recommends. AP Style can seem a bit incon­sis­tent — for example, Nebraska is shortened to ​“Neb.” instead of ​“NE,” and New Mexico is ​“N.M.” instead of ​“NM.” The full list is on Wikipedia—be sure you’re looking at the ​“AP” column.

If you’re writing UI copy, use postal abbre­vi­a­tions to save space. For everything else, follow AP Style.

Countries

Most of the time, country names should be fully spelled out. The exceptions are when there’s a commonly accepted abbre­vi­a­tion, such as ​“U.S.” for the United States, or ​“U.K.” for the United Kingdom. Make sure your audience will understand the reference, and don’t forget to preface the abbre­vi­a­tion with ​“the.”

Addresses

When it comes to addresses that include a street number, abbreviate avenue (Ave.), boulevard (Blvd.), street (St.) and directional parts of street names. Otherwise, write out all generic parts of street names (avenue, north, road). For more rules on formatting addresses — including how to write addresses in our product—check this page.

Versus, VS, V

In UI copy, always display ​“versus” as ​“vs” without a period.

In long-form writing, like in marketing materials or support articles, you can spell out the entire word or abbreviate to ​“vs.” with a period.

We never use just ​“v” to represent ​“versus.”

Symbols (“&”) vs. Words (“and”)

This one’s easy — only use ​“&” in nav­i­ga­tion­al labels, title case headlines, or the official name of a company or product.

These are our prices & packages.

Don’t use “&” in long-form copy.

Pricing & Packaging

Do use “&” in headlines with multiple nouns.

Common Latin Phrases
(“e.g.” and ​“i.e.”)

Though we don’t want our voice to be pretentious, these Latin abbre­vi­a­tions are occa­sion­al­ly the most concise way to convey our message. E.g. and i.e. are both used to add details, but they’re not interchangeable.

The easiest way to remember the difference is to learn their meaning. E.g. means ​“for example” and i.e. means ​“in other words.” When wondering which to use, just substitute the meaning of each abbre­vi­a­tion into your sentence to see which makes more sense.

I like movies based on comic books (e.g., Ironman, Captain America, Batman, etc).
I like movies based on comic books (e.g., Ironman, Captain America, Batman, etc).

Schools & Grades #

For editorial and product content with space concerns, high school can be shortened to ​“HS”. Grades can also be abbreviated for player descrip­tions (leave off the period for product copy):

Freshman: ​“Fr.”
Sophomore: ​“So.”
Junior: ​“Jr.”
Senior: ​“Sr.”

Punctuation

Periods

The period gives your thought a hard stop before beginning a brand new, self-sustaining sentence. Think of it as an extended pause between the two. It should be used at the end of just about every sentence that’s not a question. (Unless it’s a title case headline.)

This one’s easy — only use ​“&” in nav­i­ga­tion­al labels, title case headlines, or the official name of a company or product.

We help barbers win.
With performance analysis tools.

Don’t interrupt phrases that can and shouldlive together.

We help barbers win with performance analysis tools.

Do add a period to finalize a thought.

Not sure if you have a sentence? There should be a subject and a verb, maybe even an object. If it’s not a complete sentence, it’s called a ​“fragment.” In marketing or long-form copy, we’ve been known to allow fragments for stylistic reasons. (Reach out to Eric Payne on Slack if you need advice.)

And as you’ve seen in this section, there’s no need to add two spaces after your period. We’re not writing on typewriters anymore, so a single space is all you need.

Exclamation points

We don’t want to seem like we’re yelling at our audience, so use exclamation points sparingly. Stick to one per content piece or product interface, and only if it’s appropriate. Never use more than one at the end of a single sentence. If you want the reader to get excited about something, use your words.

We help barbers win!

Don’t add an exclamation point just for fun.

Congrats! You just invested intheCut for your barbershop!

Do add one to convey the importance of amessage, or to celebrate with your reader.

There are two clear-cut moments where the exclamation is a no-brainer:

  • What we’re telling them is really going to change their life. Not in the marketing ​“this product is pretty awesome” sense, but in the ​“this could be our biggest release of all time” sense.
  • The message preceding the exclamation is beyond important and we need to make sure they realize the sig­nif­i­cance. As in, they’re about to delete something forever, make an irre­versible change or spend $1 million.

Question marks

If you put one at the end of a sentence, make sure we’re really asking a question. And if we don’t provide the answer (either in the content or with a CTA), make sure it’s a rhetorical question. Why? A question the reader can’t answer comes off as con­de­scend­ing. Not our style.

Questions work well in subject lines, headlines and con­fir­ma­tions. Avoid putting them where interaction is harder to come by, like an empty state or tooltip.

We help barbers win.
With performance analysis tools.

Don’t interrupt phrases that can and shouldlive together.

Ready to share? Use the linkbelow to get started.

Do use a question to give your content anatural flow.

Overall, question marks should be used sparingly. However, if the content is formatted with question, answer, question, answer, etc., multiple is totally fine.

Apostrophes

Adding an apostrophe should do one of two things:

  • Indicate a contraction (it’s, we’re, he’ll, etc.)
  • Indicate ownership (Michael’s, the president’s, our neighbors’)

We love con­trac­tions, so definitely use apostrophes for those. But what do apostrophes not do? They don’t make singular words plural. (Football games are on ​“Fridays,” not ​“Friday’s.”)

It’s hard to read if this headline’stoo many confusing apostrophes.

Don’t use contractions if they make the wordshard to understand. (Does “’s” stand for“has” or “is?”)

We’ll let you know as soon asit’s ready.

Do make your content more conversationalwith natural contractions.

The most common (and potentially confusing) use of the apostrophe at TheCut appears on team names: ​“boys’ varsity football,” ​“women’s JV soccer,” etc. Here’s how it works:

  • If there’s an ​“s” at the end of the plural noun (“boys,” ​“girls”), the apostrophe goes at the very end.
  • Indicate ownership (Michael’s, the president’s, our neighbors’)

Commas

These useful guys indicate pauses within sentences. Not sure about adding a comma? Read the thing out loud. If you pause naturally, it’s probably okay to add one.

You can share any full game orcustom playlist, with the entireteam or individual athletes, just byselecting the intended recipients.

Don’t add them randomly to break up along sentence.

When it comes to sharing customplaylists with coaches andathletes, all existing commentand drawings will be visible.

Do rely on commas for natural pauses andincreased clarity.

Commas are also used to separate some items in a list, but we don’t use the Oxford comma.

Ampersands

As mentioned in our abbre­vi­a­tions section, the ampersand is a replacement for ​“and.” It should only be used in official names, nav­i­ga­tion­al labels and short, title case headlines.

We don’t use ampersands in subheadings or body copy for a few reasons:

  • It’s not AP Style.
  • You might acci­den­tal­ly switch from the symbol to ​“and,” especially in longer pieces. Things could get messy.
  • Using the symbol draws the reader’s attention to the most incon­se­quen­tial word in your writing. Don’t give it the satisfaction.

Dashed and hyphens

Did you know em dashes ( — ), en dashes ( – ) and hyphens (-) aren’t inter­change­able? They each have different purposes. But there’s one rule that applies to all three: no matter what, never add spaces to either side of your dash or hyphen.

We don’t use ampersands in subheadings or body copy for a few reasons:

  • It’s not AP Style.
  • You might acci­den­tal­ly switch from the symbol to ​“and,” especially in longer pieces. Things could get messy.
  • Using the symbol draws the reader’s attention to the most incon­se­quen­tial word in your writing. Don’t give it the satisfaction.

Em dash

One of TheCut’s favorite pieces of punctuation is the em dash. It’s the long dash you can put in place of nearly every other piece of punctuation.

We don’t use ampersands in subheadings or body copy for a few reasons:

  • It can connect two separate, but related and complete thoughts (a semicolon also does this).
  • It can create a dramatic effect before a punchy close.
  • A pair can frame an aside in the middle of a sentence, like parentheses or commas.

One of TheCut’s favorite pieces of punctuation is the em dash. It’s the long dash you can put in place of nearly every other piece of punctuation.

We don’t use ampersands in subheadings or body copy for a few reasons:

  • It can connect two separate, but related and complete thoughts (a semicolon also does this).
  • It can create a dramatic effect before a punchy close.
  • A pair can frame an aside in the middle of a sentence, like parentheses or commas.

The game—5 p.m.

Don’t add an em dash between two incomplete thoughts.

The game is at 5 p.m.—don’tbe late.

Do use it to complete your train of thought.

Within the product, em dashes should only be used in wordy modals or longer blocks of text.

To create an em dash on a Mac, press the shift, option and hyphen keys. On a PC, hold down Alt, then type 0151, then let go of Alt.

En dash

Use the shorter en dash in place of ​“to” or ​“through.” It’s the dash we use to represent number ranges.

  • The session will run from 1 – 3 p.m.
  • These are the results from FY19 – 20.

To create an en dash on a Mac, press the option and hyphen keys. On a PC, hold down Alt, then type 0150, then let go of Alt.

Hyphen

In the case of numbers, use hyphens to separate non-inclusive digits, like a phone number or Social Security number.

With words, you can use a hyphen to make one word out of two. Hyphenate two (or more!) words into a compound adjective when they come before the noun they modify:

  • High-quality video
  • Out-of-season haircut

We don’t use ampersands in subheadings or body copy for a few reasons:

  • The video is high quality.
  • That scrimmage was out of season.

Colons

Other than using it to format time correctly (3:30 p.m.), the main use for a colon is to introduce a list. The AP Style rule of thumb is to only capitalize the word that begins the list or series if it’s a proper noun.

  • “TheCut has several video review tools: playlists, text effects and drawings.”
  • “We have three forwards: Mike, Dan and Sam.”

But with rules come exceptions:

  • If the list or series extends over multiple sentences, you should capitalize the first word after the colon.
  • Capitalize the first word after the colon if you’re introducing a complete sentence that clarifies or expands on the original sentence.

Semicolons

Around here, we don’t use semi­colons much. Their main val­ue is to clar­i­fy a list with­in a sen­tence that already has mul­ti­ple com­mas. But since we strive to be con­ver­sa­tion­al and con­cise, it’s prob­a­bly a bet­ter idea to rephrase.

They can also be used to con­nect two relat­ed, com­plete thoughts. But styl­is­ti­cal­ly, we pre­fer using an em dash for that purpose.

Parenthesis

AP Style isn’t a huge fan of parentheses because they can often be replaced with other types of punctuation, like commas or em dashes. But we use them when appropriate. Information included in parentheses is sup­ple­men­tary to the rest of the sentence, like an example of what you just described or an additional clarification.

If the par­en­thet­i­cal text is a complete sentence, use sentence case and add correct end punctuation before the last parenthesis. If the par­en­thet­i­cal is a fragment, any necessary punctuation for the rest of the sentence will be outside the parenthesis.

theCut helps barbers (and workers win.).

Don’t put primary details that are necessary to the main sentence in parentheses.

theCut can help any level of barbering (e.g., elite, college, high school and youth).

Do use parentheses to clarify the primarycontent.

Quotation marks

It’s right in the name — quotation marks go around a quote, which is something someone said. Here are the details:

  • Periods and commas always go within quotation marks, unless you’re quoting an exact word or phrase where the addition of the punctuation would be inaccurate.
  • All other punctuation: determine if it applies to the whole sentence. If so, it goes outside the quotation. If the punctuation only applies to what’s within the quotation marks, it goes inside them.
  • Single quotation marks should be used only for a quote within a quote, or for a quote within a headline.
  • If a running quotation spans multiple paragraphs, you only need the closing quotation mark on the last paragraph. (You still need opening quotation marks at the beginning of each new paragraph in the quote.)

But they don’t stop there. Add quotes around terms or phrases your audience may not be familiar with (i.e., jargon), or to call out words or phrases you’re referring to.

Check out the What's Next?
report in your library.

Don’t make sentences hard to read.

Check out the "What's Next?"
report in your library.

Do add quotation marks to help with clarity.

Ellipses

At some point (maybe not since school), you’ve probably used the ol’ ​“dot dot dot.” This punctuation indicates the deletion of one or more words when you’re condensing quotes or other texts. Just remember to be careful not to delete anything that could distort the meaning of the sentence.

“theCut is a company that helps barbers.”

“theCut is a company [...]”

Don’t remove the primary meaning of a quote.

“theCut […] helps barbers.”

Do use ellipses to shorten quotes when theyhave unnecessary words.

An ellipsis can also be used to indicate a thought you (as the writer) don’t complete for emphasis. However, we don’t recommend using them for this purpose as it can get confusing for the reader.

Divider punctuation

When we need to separate distinct pieces of information on a single line, we use the ​“middle dot” ( • ) instead of a pipe ( | ) or a shift in typography. You can type the middle dot by hitting option + 8 on your Mac or PC.

This Is a Headline • This is the longer subhead!

Don’t use a middle dot to separate items that should be on two lines.

High School A vs High School B • Feb 3, 2020

Do use a middle dot to divide related but distinct pieces of information.

Date, numbers, and addresses

Dates

Dates should be formatted as ​“day, month, year” if the audience is inter­na­tion­al, or ​“month, day, year” if you’ll only have U.S. readers.

  • Don’t include ​“st,” ​“nd,” ​“rd” or ​“th.” Simply put, it’s ​“July 1,” not ​“July 1st.” (Pro tip: numbers written like ​“1st” are called ordinal numbers. They’re generally a no-no.)
  • You don’t need a comma when writing just a month and year (July 2020). If you include a day, be sure to set off the year with a comma (July 1, 2020). Don’t include commas for our inter­na­tion­al date format (1 July 2020).
  • Abbreviate January, February, August, September, October, November and December when writing a specific date (Nov. 1, 2020). When you aren’t indicating a specific date, write out the full month (November 2020).
  • If you’re really pressed for space, you can abbreviate days of the week and months to three letters. End abbre­vi­a­tions with a period, except for when you’re writing within the product.
  • Always use numerals for years; never spell them out.
  • When expressing decades or centuries, add the letter ​“s” without an apostrophe. Only use an apostrophe before figures for decades when numerals are left out (e.g., the ​‘90s).

September 28th, 2020

Don’t use ordinal numbers in dates.

7 January 2020

Do format dates as day, month, year forinternational audiences.

Referencing Dates in Product

Most of the AP Style rules still apply here, but with less space, it’s more likely you’ll have to abbreviate days and months.

  • Use three-letter abbre­vi­a­tions with no periods (every pixel counts!).
  • Even if space is tight, never shorten the year. It could get confused with the actual day.
  • Even though numbers-only formats for dates are shorter, avoid them. There could be confusion when local­iza­tion rearranges the order. Plus, placeholder zeroes get tricky.

Oct. 6, ‘20

In product copy, Don’t shorten years or useabbreviations with periods.

Oct 6, 2020

Do format dates as day, month, year forinternational audiences.

Time

To be as clear as possible about the time you mean, follow these rules:

  • Use lowercase letters and periods to dif­fer­en­ti­ate between a.m. and p.m. times.
  • Don’t include colons for times on the hour.
  • Avoid ​“yesterday” or ​“tomorrow.” Use the specific day of the week instead.

3:00pm

Don’t use colons for exact hour times.

3 p.m.

Do differentiate times with a.m. and p.m.

The training is 11-2.

Don’t hyphenate timeframes or leave off clarifying details.

The training is 11 a.m.–2 p.m.

Do clarify time of day and use an en dash in your timeframes.

Only include the time zone when the time pertains to a specific location or event that might not be local. Don’t include S(tandard) or D(aylight) in the time zone — it’s easy to get the two confused over the course of a year, so better to leave it out.

Referencing Time in Product #

For the sake of space when expressing time, drop the periods in a.m. and p.m and eliminate the space after the last digit, but make sure you still always include am or pm. Also, don’t use a 24-hour format — this will help distinguish the time of day from something like the duration of a video.

Oct 25, 7:30 p.m.

In product copy, don’t include periods and foram and pm.

Oct 25, 7:30pm

In product copy, do use am and pm inevery instance.

For items that have a longer life span within the product, like feed cards and exchanges, it’s important to clearly communicate when something was created or shared. Each timestamp should be exact — don’t include ​“about” before them.

  • New within the hour, use ​“ago”: 13 minutes ago.
  • Shared or created that day: 2:16pm.
  • Shared or created yesterday: Yesterday at 2:16pm.
  • New within the last week: Wednesday at 2:16pm.
  • At least one week old, but less than a month: Mar 6, 2:16pm.
  • At least one month old, but less than a year: Mar 6.
  • One year or older: Mar 6, 2020.
  • We’re a video and data company, so we need to express the time duration of videos and clips often. Here are the guidelines for how we approach this:

We need to express the time duration of videos and clips often. Here are the guidelines for how we approach this:

  • Always include the digits for minutes and seconds. Hour digits are not required until the video or user activity hits the hour mark.
  • Include a zero as the minute digit for durations less than sixty seconds.
  • Durations under 10 minutes can be displayed as a single minute digit.
  • Milliseconds aren’t required and shouldn’t be used in any static displays of time. If you’re using mil­lisec­onds for elapsed time as the video plays, use a period instead of a colon.
  • Never use ​“h,” ​“m” or ​“s” for hours, minutes and seconds. Stick to the colon format.

59s

00:08:14

1:23:15:41

Don’t use zero placeholders.

0:59

8:14

1:23:15.41

Do always include minutes and seconds.

Numbers

Write out num­bers one through nine, and use numer­als for 10 or high­er. (You can use numerals for numbers under 10 when writing addresses, ages, monetary values, dates, times, sizes/​dimensions, percentages, speeds or temperatures.)

Twenty-eight teams competed in the tournament.

Don’t spell out numbers 10 or higher.

Nine players were paid $12 million.

Do spell out numbers one through nine.

Here’s a few more general rules to keep in mind:

  • When using age as an adjective phrase before a noun, use hyphens. Drop them if the noun comes first.
    • My 34-year-old friend remains impres­sive­ly athletic.
    • My friend is 34 years old.
  • “Thousands,” ​“millions” and ​“billions” may be shortened to ​“K,” ​“M” and ​“B” when displayed in a graphic treatment.
  • For percentages, use the % sign, no space, paired with a numeral.

The average number of home runs per game increased 15% this season.

  • Avoid starting sentences with a number, unless referencing a year.

1977 was the last year the Minnesota Vikings went to the Super Bowl.

  • Finally, when talking quantities, it’s always ​“more than,” not ​“over.”

We have more than 10 million users.

Decimals

For clarity and accuracy, decimals are always written as numerals, even if the number less than nine. In basketball, ​“3-pointer” is also written as a numeral since it’s a statistic.

Johnson averaged 8.4 points per game last season.

Smith hit four 3-pointers in the win.

Paired numbers

When two numbers come next to each other in a sentence, spell out one of these numbers. The main purpose of this rule is to avoid confusion for the reader. This could require you to write out a number larger than nine.

The Tigers won with fifteen 3-pointers.

Addresses

Write out all generic parts of street names (avenue, north, road) when you’re not talking about a specific address. Otherwise, include a street number, and abbreviate avenue (Ave.), boulevard (Blvd.), street (St.) and directional parts of street names.

Also, heads up! State abbre­vi­a­tions differ from postal service abbreviations.

  • Nebraska is shortened to ​“Neb.” instead of ​“NE.”

Most of them live on that St.

Don’t generally abbreviate parts of street names.

They live at 202 Federal St.

Do use approved abbreviations forspecific addresses.

Referencing Addresses in Product

Here’s an exception to AP Style. When referring to specific addresses in UI copy, use postal abbre­vi­a­tions to save space.

70 Federal St.

Lincoln, Neb. 02210

In product copy don’t generally abbreviateparts of street names.

70 Federal St

Lincoln, NE 02210

In product copy, do use postal abbreviations.